Lansing McLoskey (b.1964) came to the world of composition via a somewhat unorthodox route. The proverbial "Three B's" for him were not Bach, Beethoven and Brahms, but rather The Beatles, Bauhaus and Black Flag. His first experiences at writing music were not exercises in counterpoint, but as the guitarist and songwriter for punk rock bands in San Francisco in the early 1980's. It was actually through these years in the visceral world of punk that he first developed a love for classical music (but that's another story).
Described as "a major talent and a deep thinker with a great ear" by the American Composers Orchestra, "an engaging, gifted composer writing smart, compelling and fascinating music…with a bluesy edge and infectious punch" by Gramophone Magazine, and "a unique musical voice which is clear and distinctive" by the American Academy of Arts and Letters, Lansing McLoskey has had his music performed to critical acclaim across the U.S. and in fifteen other countries on six continents. His music has an emotional intensity that appeals to academic and amateur alike, defying traditional stylistic pigeonholes.
He has won numerous national and international awards, including the prestigious 2011 Goddard Lieberson Fellowship from the American Academy of Arts and Letters, awarded to a “composer of exceptional gifts,” the International Music Prize for Excellence in Composition 2011, the 2011 International Joint Wind Quintet Project Commission Competition, and Grand Prize in the 2012 Chatham Baroque Composition Competition. Most recently he won First Prize in the 2014 Red Note Festival Composition Competition, and a 2013 Aaron Copland Recording Grant. In 2009 he became the only composer in the 45 year history of the ISU Contemporary Music Festival to win both the orchestral and chamber music competitions, both blind-juried national competitions with two independent juries. Among his other awards are the 2011 Chatham Baroque Composition Competition, the 2009 newEar Composition Competition, the Omaha Symphony International New Music Competition (First Prize), the Kenneth Davenport National Competition for Orchestral Works (First Prize), the Charles Ives Center Orchestral Composition Competition, Lee Ettelson Composers Award, Paris New Music Review International Composition Competition (First Prize), the SCI/ASCAP 2000 National Student Composition Competition (First Prize), the Charles Ives Scholarship from the American Academy of Arts and Letters, and an Astral Career Grant from the National Foundation for Advancement in the Arts. He was the Composer-in-Residence for the 2012 Missouri Chamber Music Festival, and a MacDowell Colony Fellow in 2011.
Among his many commissions are those from Meet The Composer, the National Endowment for the Arts, Pew Charitable Trusts, The Fromm Foundation, the Barlow Endowment, ASCAP, MATA, violist Leticia Oaks Strong of the Los Angeles Philharmonic, King's Chapel (Boston), and many others. He has written for such renowned ensembles as The New Millennium Ensemble, The Hilliard Ensemble, Triton Brass, Atlantic Brass, Speculum Musicæ, and The Crossing Choir. McLoskey's music has been performed at more than three dozen music festivals, including the Piccolo Spoleto Festival, where he was a Composer-in-Residence. Recent performances include premieres in Italy, Boston, New York, Philadelphia, Chicago, Cincinnati, Las Vegas, Kansas City, Pittsburgh, Miami, and performances at Aspen and Tanglewood (where he was a Guest Composer), the 2013 Lieksa Brass Festival (Finland), the I Festival Nacional de Metales (Bogotá, Colombia), the XXXV Foro Internacional Música Nueva (Mexico City), the 18th Ciclo de Música Contemporánea (Málaga, Spain), ENSEMS International Festival of Contemporary Music (Valencia, Spain), the Birmingham Chamber Music Festival in the UK, and the XVIII International Jazz Festival in Lima, Peru. Recent commissions include a concerto for Triton Brass and a consortium of wind ensembles; the International Joint Wind Quintet Project; Cincinnati Vocal Arts Ensemble; Chatham Baroque (Pittsburgh); the newEar Ensemble for their 20th season; the soundSCAPE Festival in Italy (where he was the 2011 Composer-in-Residence); and ensemberlino vocale in Berlin, for which he'll be the 2014 composer-in-residence.
McLoskey completed a Ph.D. at Harvard University, and holds degrees with honors from UC Santa Barbara and the USC Thornton School of Music, with additional studies at The Royal Danish Academy of Music, the Wellesley Composers Conference, and the Advanced Masterclass at the Aspen Music School. His principal teachers were Mario Davidovsky, Stephen Hartke, Bernard Rands, and Donald Crockett. His book Twentieth Century Danish Musicremains the only comprehensive research guide on the topic, and he was awarded the Haug Prize for Scandinavian Studies in recognition of his contributions to the field.
Currently McLoskey is an Associate Professor at the University of Miami Frost School of Music. His music is released on Albany, Wergo Schallplatten, Capstone, Tantara, and Beauport Classics, and published by Theodore Presser Company, American Composers Alliance Press, Reed Music, Mostly Marimba, Subito Music, and Odhecaton Z Music. A monograph CD of his music - Sixth Species - and his orchestral work Prex Penitentialis were released to critical acclaim on Albany Records. 2013 saw the release of no fewer than three CDs, including Specific Gravity: Chamber Music of Lansing McLoskeyand The Unheard Music, featuring his multi-award-winning concerto What We Do Is Secret for brass quintet and wind ensemble.
- Breake, blowe, burn for SATB Chorus, 2 percussion - $5.95
- Breake, blowe, burn (a cappella version) for SATB Chorus - $4.25
- Burning Chariots for SATB Chorus - $3.50
- Chanson pour cordes for String Orchestra - $14.95
- Glaze for Brass Quintet & Percussion (Drum Kit) - $41.00
- Glaze for Brass Quintet & Percussion (Drum Kit) - $26.95
- Glisten for Violin, Violoncello & Piano - $22.95
- Glisten for Violin, Violoncello & Piano - $25.95
- Non avrá ma’ pieta for SATB Chorus - $3.25
- OK-OK for Saxophone Quartet - $17.95
- OK-OK for Saxophone Quartet - $22.95
- Prex Penitentialis: The Prayer of Petrarch for Soprano & Orchestra - $65.00
- Processione di lacrime (Pavan) for Alto Saxophone, Violin, Viola & Violoncello - $11.95
- Requiem, v.2.001 for Chamber Ensemble - $42.00
- Requiem, v.2.001 for Chamber Ensemble - $31.95
- The Madding Crowd for Brass Quintet - $35.95
- The Madding Crowd for Brass Quintet - $42.00
- Venite, sancti, venite for SATB Chorus (with Piano Reduction) - $5.95
- Venite, sancti, venite for SATB Chorus - $3.25
- Wild Bells for Viola & Piano - $41.00